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Augustus Saint-Gaudens

American Sculptor of the Gilded Age

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January 16, 2007 through April 15, 2007

The Flagler Museum's winter exhibit, Augustus Saint-Gaudens: American Sculptor of the Gilded Age features the magnificent works of America's best Gilded Age sculptor, Augustus Saint-Gaudens (1848-1907), who has been called the "American Michelangelo."


Born to immigrant parents, Saint-Gaudens began his career in 1861, at the age of thirteen, when he was apprenticed to the cameo cutter Louis Avet. He left for France in 1867 to study at the École des Beaux-Arts and was immersed in the art world of Paris and later Rome. Upon his return to the United States, Saint-Gaudens began to build his reputation as a modern artist, reinvigorating and advancing American sculpture.


While best known for his bronze public monuments, his mastery of multiple artistic media included mural paintings, stained glass, portrait reliefs, medals, United States coinage, and mixed media decorative panels found in the most sumptuous Gilded Age mansions. His clients included the most influential and powerful men of America's Gilded Age, including industrialists, publishers, artists, and writers.


Saint-Gaudens was a great portrait artist, creating more than one hundred sculptural portraits. He also carried out a number of commissions for major monuments. Works such as his Lincoln Monument and Adams Memorial changed the public's perceptions of civic sculpture. Saint-Gaudens's Civil War monuments stand out for their quiet dignity and inherent strength of character. The sculptor's artistic collaborations with important painters and architects of the day yielded decorative work and monuments of unrivaled power and beauty.

Saint-Gaudens also created significant medals and coins. His 1905 Special Inaugural Medal for Theodore Roosevelt impressed the President so much that the he asked the master artist to redesign the 1907 United States gold coinage. Saint-Gaudens's designs for the ten- and twenty-dollar gold coins are considered to be the most beautiful ever created, and are highly coveted by collectors.


By the end of his life, Saint-Gaudens had created a uniquely American style of sculpture that focused on simplicity of subject, realism of form, and strength of emotion. By taking a new approach to sculpture, and in educating young American artists, Saint-Gaudens played an unsurpassed role in developing America's artistic character and revitalizing the art of sculpture in the modern age.

This magnificent exhibit, organized by the Trust for Museum Exhibitions, Washington, D.C. in collaboration with the Saint-Gaudens National Historic Site, Cornish, New Hampshire, explores the evolution of Saint-Gaudens's art through sixty of the sculptor's most iconic works. The collection illustrates the breadth of work that established Saint-Gaudens as America's premier sculptor.

The Exhibit is Sponsored By:


Image Gallery

The many faces of Augustus Saint Gaudens. Click to view.

Standing Lincoln, Photograph, 1887. Shaw Memorial, Soldier's Head, 1883-93. Bronze Sherman Monumnet, Victory, 1897. Bronze Amor Caritas, Angelic Head, 1886. Plaster Augustus Saint-Gaudens, ca.1890. Photograph Ceres Panel, Cornelius Vanderbilt II House, 1881-1883. Mahogany, Bronze, Ivory, pearl, Marble, Holly Wood. Louise Miller Howland, 1888. Bronze. United States Twenty-Dollar Gold Piece, 1907. Gold Mortimer Leo and Frieda Fanny Schiff, 1885. Bronze Diana, Second Version, Half Size 1872-1873.

 


Augustus Saint-Gaudens

Gallery Talk

February 27, 2007 at 12:15pm

Henry J. Duffy, PhD. from the Saint-Gaudens National Historic Site discused the Museum's winter exhibit and Augustus Saint-Gaudens' artistic contribution to America's Gilded Age.

 

 

Kids Sculpture Class

February 24, 2007 10:00am - 11:30am

The Flagler Museum hosted a Kids Sculpture Class on February 24, 2007, in conjunction with the Augustus Saint-Gaudens Exhibit. Children learned about the art of sculpture through hands on activities with a local sculptor.

 

 

Augustus Saint-Gaudens in his Paris studio with Amor Caritas, 1898.

 

 

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